The theme for BWQ’s Spring issue is “Firsts” and I wrote a personal essay – with soundtrack! – about two of my first experiences: the first time I felt rejected, judged and excluded as a bi-romantic misfit, and the first time I felt how I could claim my place in space.
This morning, I was chatting with a friend about how we feel that most policies fail: because they do not consider the uniqueness of women’s and girls’ issues and needs. My friend recently spent some time in Canada, and told me about Canadian politics, in particular about their foreign policy. I am not a political scientist (and have no ambitions in that direction either), but much of what I learned about Canada this morning seems to resonate with the feminist framework that I use for the Cyborg Mermaid. I decided to write a blog about these connections, to generate some discussion and perhaps inspire soms real political scientists.
Two and a half years ago, my partner and I went to EuroBicon, the European Bisexual Conference in Amsterdam. There, I presented a paper about queer mermaids, hosted a workshop on the bisexual mermaid, played games both analog and digital, went to an awesome 80-90’s disco, had fabulous food and… met Robyn Ochs. As an academic cum activist, Robyn immediately made an indelible impression on me. Therefore, I am very happy that she invited me to write for her grassroots publication Bi Women Quarterly – aka BWQ – and that my writing even made it to the front page. Thank you so much, Robyn! With her permission, I publish the integral essay in this website.
In a remote village, some workers are building a bridge, but are scared away by vampire mermaids. Some are pale with long dark hair and glowing red eyes and their tails resemble snake tails. Others have green skin, and long fingernails, such as Qualupalik. Read this creepy story about a Vampire Mermaid written by Scott L Vannatter.
A new piece of fanfiction in the intertexual narrative of the Cyborg Mermaid! 😀 Published author Katelynn E. Koontz wrote this short story about the prehistoric world that was spoken about while the Cyborg Mermaid was in her spaceship towards earth. Thank you, Katelynn!
Carol S. Pearson’s bestselling book “The Hero Within” combines insights from literature, anthropology and psychology to distinguish six heroic archetypes. Taking both Hans Christian Andersen’s and Disney’s versions ‘The Little Mermaid’ as case studies, this blogpost shall identify archetypes from Pearson’s Heroic Myth Index that can be traced in the main character.
The first track of my solo album is about the story of Achtamar, which I learned in Armenia. Using the familiar trope of of star-cross’d lovers, the story of Achtamar is about a young woman named Tamar and the young man who loves her. They meet in secret on an island, until Tamar’s father discovers their trysts and sets a trap for the youth. He manages to escape, but he is mortally wounded and cannot swim across the lake. As he dies, his last action is to whisper her name across the water: ‘Ach, Tamar!’. With the help of my friend Ofelia Melikyan, I translated the famous poem by Hovhannes Tumanyan about this story. And with the help of John Vandenberg, I rewrote it into a poem of …