My artistic practice functions as an integral layer of my research and creative exploration, bringing ideas, narratives, and lived experience into visual form. Across diverse media — including hand- and digitally-drawn illustrations, ceramics, photography, textiles, collage, and mixed-media design — I investigate how stories, materiality, and sensory experience shape understanding and connection. Central threads throughout my work are neurodiversity, the reimagining of historical and mythical narratives, slow, tactile making, and a deep engagement with the natural world and animals.
From hand-crafted ceramics and clothing to fantasy and mythological art, fan art, and new medieval-inspired creations, my work explores both the aesthetic and conceptual possibilities of material and visual culture. Anthropomorphised animals appear frequently as subjects, embodying empathy, ecological awareness, and a sense of wonder that I hope inspires care for the planet. Nostalgia and memory recur as motifs, particularly in photography and storytelling, capturing fleeting moments, landscapes, and the textures of lived experience.
I also maintain a private practice in mail art, a form that continues to inform my reflections on participation, community, and the ephemerality of material exchange — some of these pieces will be made accessible in due course alongside related academic writings. Across all of these practices, I aim to foreground slow living, attentiveness, and the tactile, material, and narrative qualities of making. My work has been published and exhibited in a variety of contexts, from community and public spaces to academic journals and specialist magazines.