{"id":2838,"date":"2021-12-02T10:43:54","date_gmt":"2021-12-02T10:43:54","guid":{"rendered":"http:\/\/martinemussies.nl\/web\/?page_id=2838"},"modified":"2021-12-02T10:46:17","modified_gmt":"2021-12-02T10:46:17","slug":"selected-publications","status":"publish","type":"page","link":"http:\/\/martinemussies.nl\/web\/current-academic-research-projects\/selected-publications\/","title":{"rendered":"Selected Publications"},"content":{"rendered":"\n

On this page you will find a selection of my publications, which are in connection with my thinking about the Cyborg Mermaid. More publications (for example on Celtology, autism and classical music) can be found via Academia<\/a>, Google Scholar<\/a> and Research Gate<\/a>.<\/p>\n\n\n\n

***<\/p>\n\n\n\n

Mussies, M. (2010). Keltische meerminnen: Tussen verlangen en vrees. Kelten: Mededelingen van de Stichting A. G. van Hamel Voor Keltische Studies<\/em>.

Mussies, M. (2012). Hoe Keltisch is \u201cOndine\u201d? Kelten: Mededelingen van de Stichting A. G. van Hamel voor Keltische Studies<\/em>, 55<\/em>, 2\u20134.

Mussies, M. (2016a). De \u201cfantastische\u201d geografie van De Kleine Zeemeermin. Geografie (Vakblad van het Koninklijk Nederlands Aardrijkskundig Genootschap)<\/em>.

Mussies, M. (2016b). The Bisexual Mermaid: Andersen\u2019s fairy tale as an allegory of the bi-romantic sexual outsider. Full-Text of a Presentation at EuroBiCon<\/em>.

Mussies, M. (2016c). Wereldbeelden vol Zeemonsters. Geografie (Vakblad van het Koninklijk Nederlands Aardrijkskundig Genootschap)<\/em>.

Mussies, M. (2017). Welshe Weemoed. Jaarboek van de Stichting A. G. van Hamel Voor Keltische Studies<\/em>.

Mussies, M. (2018). Frankenstein and The Lure: Border Crossing Creatures through a Feminist Lens. Foundation: The International Review of Science Fiction<\/em>, 47<\/em>(130), 47\u201358.

Mussies, M. (2019a). A mermaid\u2019s song in distortion: The recreation of ancient myth by a medieval metal band. Metal Music Studies<\/em>, 5<\/em>(1), 115\u2013125. http:\/\/dx.doi.org\/10.1386\/mms.5.1.115_1 <\/a>

Mussies, M. (2019c). Queering the Anglo-Saxons through their psalms. Transformative Works and Cultures<\/em>, 31<\/em>. https:\/\/doi.org\/10.3983\/twc.2019.1813<\/a>

Mussies, M. (2020a). A Good Place for Philosophy? Blog of the American Philosophical Association<\/em>. https:\/\/blog.apaonline.org\/2020\/01\/28\/a-good-place-for-philosophy\/<\/a>

Mussies, M. (2020b). A Ludomusicologist Goes to the Museum: A Review of Videogames: Design\/Play\/Disrupt at the Victoria and Albert Museum. Journal of Sound and Music in Games<\/em>, 1<\/em>(1), 125\u2013132. https:\/\/doi.org\/10.1525\/jsmg.2020.1.1.125<\/a>

Mussies, M. (2020c). Gisela of France. In World History Encyclopedia<\/em>. https:\/\/www.worldhistory.org\/Gisela_of_France\/<\/a>

Mussies, M. (2020d). Outgrowing Zwarte Piet\u2013Turning a racist past into an inclusive future. Raffia (Radboud Gender & Diversity Studies)<\/em>.

Mussies, M. (2020e). Still \u201cDiving into the Wreck.\u201d LOVER<\/em>. https:\/\/www.tijdschriftlover.nl\/english\/still_diving_into_the_wreck<\/a>

Mussies, M. (2020f). Tarkovsky\u2019s EYE candy. Foundation: The International Review of Science Fiction<\/em>, 49<\/em>(135), 72\u201374.

Mussies, M. (2020g). The Black Mermaid. LOVER<\/em>. https:\/\/www.tijdschriftlover.nl\/english\/the_black_mermaid<\/a>

Mussies, M. (2020h). The Siren\u2019s Lure-A Starbucks Influencer Marketing Case Study. Better Marketing<\/em>.

Mussies, M. (2020i). What a genderful world! LOVER<\/em>. https:\/\/www.tijdschriftlover.nl\/english\/what_a_genderful_world<\/a>

Mussies, M. (2020j). Autiethnography. Transformative Works and Cultures<\/em>, 33<\/em>. https:\/\/doi.org\/10.3983\/twc.2020.1789<\/a>

Mussies, M. (2020k, December 6). Recreating two of my 1994 homebrew games. Interactive Pasts<\/em>. https:\/\/interactivepasts.com\/blog-posts\/recreating-two-of-my-1994-homebrew-games\/<\/a>

Mussies, M. (2021a). Healing Women: The Covid-19 Crisis and Alfredian Fanfiction. Journal of the LUCAS Graduate Conference<\/em>, 9<\/em>.

Mussies, M. (2021b). Not King Alfred\u2019s Brexit. Transformative Works and Cultures<\/em>, 36<\/em>.

Mussies, M. (2021c). Nullifying the Native. LOVER<\/em>. https:\/\/www.tijdschriftlover.nl\/english\/nullifying_the_native<\/a>

Mussies, M. (2021d, April 23). Neo-medieval covers of game music<\/em>. Ludo21. http:\/\/martinemussies.nl\/web\/neo-medieval-covers-of-game-music\/<\/a>

Mussies, M. (2021e). Aragorn as the ideal King. Lembas (Journal of the Dutch Tolkien Society)<\/em>, 41<\/em>(195), 8\u201312.

Mussies, M. (2021f). The why and how of the Soviet version of The Lord of the Rings. Lembas (Journal of the Dutch Tolkien Society)<\/em>, 41<\/em>(195), 309\u2013312.

Mussies, M., & Maliepaard, E. (2017). The Cyborg Mermaid (or: How Techn\u00e8 Can Help the Misfits Fit In)<\/em>.

Mussies, M., & Steenbeek, W. (2020). \u2018Wakker Met Een Wijsje\u2019\u2013How Kinderen Voor Kinderen Gave Voice to the Changing Dutch Zeitgeist. Dutch Crossing<\/em>, 1\u201313.<\/p>\n","protected":false},"excerpt":{"rendered":"

On this page you will find a selection of my publications, which are in connection with my thinking about the Cyborg Mermaid. 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