For my research about the historical reimagining of Alfred the Great, I am currently looking at fan fiction about The Last Kingdom, that includes one (or more) of the Alfredian (Anglo-Saxon / Old-English) psalm translations. The following story was written by by Cheyenne and republished with permission of the author.
Romantic comedies, who doesn’t watch them every now and then? Cozy in your onesie, with Ben & Jerry’s on the couch, swept away by the handsome man and the beautiful woman in the familiar plots. At first they hate each, but eventually they fall in love (which, unfortunately, I see reversed more often). Or: they have to overcome all kinds of obstacles in the outside world in order to live happily ever after (at least that is what the characters think at the time). Since the early beginnings of movie making, the so-called “romcom” has been a popular genre, which served as an identification for heterosexual, monogamous, cis-gender viewers (and made their expectations unrealistically high). And then, last year, on the Dutch Netflix suddenly an alternative romcom popped up, about polyamory: You – Me – Her
Two and a half years ago, my partner and I went to EuroBicon, the European Bisexual Conference in Amsterdam. There, I presented a paper about queer mermaids, hosted a workshop on the bisexual mermaid, played games both analog and digital, went to an awesome 80-90’s disco, had fabulous food and… met Robyn Ochs. As an academic cum activist, Robyn immediately made an indelible impression on me. Therefore, I am very happy that she invited me to write for her grassroots publication Bi Women Quarterly – aka BWQ – and that my writing even made it to the front page. Thank you so much, Robyn! With her permission, I publish the integral essay in this website.