Last week, I re-read one of the books I loved when I was a teenager: The Scarlet Letter (click on the title to read it online for free). This blogpost explores how this 1850 novel illustrates that love can actively resist patriarchal and neoliberal structures.
Romantic comedies, who doesn’t watch them every now and then? Cozy in your onesie, with Ben & Jerry’s on the couch, swept away by the handsome man and the beautiful woman in the familiar plots. At first they hate each, but eventually they fall in love (which, unfortunately, I see reversed more often). Or: they have to overcome all kinds of obstacles in the outside world in order to live happily ever after (at least that is what the characters think at the time). Since the early beginnings of movie making, the so-called “romcom” has been a popular genre, which served as an identification for heterosexual, monogamous, cis-gender viewers (and made their expectations unrealistically high). And then, last year, on the Dutch Netflix suddenly an alternative romcom popped up, about polyamory: You – Me – Her