At the beginning of the 21st century, the philosophical discourse concerning good and evil seems to be subsumed into three major areas; meta-ethics which describes the nature of good and bad, normative ethics concerning how human beings ought to behave and applied ethics which attends to particular moral issues. All three of the above concepts find expression in the network television landscape, most explicitly through the Netflix sitcom The Good Place.
Category: the medium formerly known as TV
Romantic comedies, who doesn’t watch them every now and then? Cozy in your onesie, with Ben & Jerry’s on the couch, swept away by the handsome man and the beautiful woman in the familiar plots. At first they hate each, but eventually they fall in love (which, unfortunately, I see reversed more often). Or: they have to overcome all kinds of obstacles in the outside world in order to live happily ever after (at least that is what the characters think at the time). Since the early beginnings of movie making, the so-called “romcom” has been a popular genre, which served as an identification for heterosexual, monogamous, cis-gender viewers (and made their expectations unrealistically high). And then, last year, on the Dutch Netflix suddenly an alternative romcom popped up, about polyamory: You – Me – Her
After Sesame Street, Star Trek has now also added an autistic looking character to the cast. In the new series, the viewers became acquainted with Sylvia Tilly, beautifully acted by Mary Wisema. Tilly appears to be an ‘Aspergirl’, a woman with Asperger’s syndrome, a form of autism. Why is that? Is Tilly the first ‘Trekkie’ with ‘autistic’ traits? And why is it relevant at all whether there are ‘Aspies’ or other ‘autistic characters’ in Star Trek?